Video of my “Island Blues” act from May’s Hubba Hubba Revue: Caveman Show.

Special thanks to Flame Cynders for capturing the video.

Super special thanks to my human prop/dance partner Jet Noir for putting up with my “ideas”.

Enjoy!

Check it out!

OK, it’s not totally me, but I’m happy and flattered that Lar deSouza referenced one of my photos (recently featured on Java’s Bachelor Pad “Christmas Cutie” for December 9th last year) for his latest pinup piece. Yeah!

Lar is the current artist for web comics Least I Could Do and Looking for Group. Lar and I met last summer when he came to Dr. Sketchy’s and COMIC STRIP! during San Diego Comic Con weekend. Now he’s my Twitter buddy.

UPDATE: Less than an hour after I hit the “publish” button, I received another wonderful piece of artwork from Lar.

Sexay!

Visit Lar’s site. He’s an extremely talented artist and all-around nice guy.

Yet another reason to love Lucy:

Young Lucille Ball as star Bubbles/Tiger Lily in “Dance, Girl, Dance” (1940).

Dance, Girl, Dance is taken from an original story by Grand Hotel author Vicki Baum, and concerns a group of ambitious dancers led by Bubbles (Ball), whose chief talents lie in her transient appeal to men; and Judy, a dreamer who wants to learn the ballet, finds herself as a stooge in burlesque, and who chrysalises into a feminist icon by the film’s end, a true “movie Amazon”.

…

Dance, Girl, Dance is a milestone in the dance film and musical, despite its B-movie production values (featuring lots of back projection). Key sequences which demand critical attention include Judy’s attempt to be a hula dancer, stunningly upstaged by the sexy wiggles of Bubbles, and the burlesque routine which gives Bubbles her biggest chance to shine, “Mother, What Do I Do Now?” Hollywood also shows us classical ballet, with an extended routine choreographed by Steve Adams (Bellamy) – relying on the assumption that classical ballet/high art is not as appealing as good old low-down burlesque, regardless of how much money and talent is thrown into the “art” pot. While it may have made use of the resources from Fred and Ginger’s RKO musicals, the ballet sequence looks flat against the earthy sexiness of Bubbles’ hula dance.

The incredible Catherine D’Lish, our poster girl for the Burlesque Brunch shows last year, is finally coming to San Diego in the flesh! Show her flesh? Ahem.

For those of you who’ve never seen her perform, here’s just a taste of the treat you’re in for at the upcoming Fishnet Follies BREASTACULAR! BREASTACULAR!

Watch Catherine D'Lish in Sexy Videos  |  View More Free Videos Online at Veoh.com

!!!

Hilarious and fascinating, in many respects:

Tipped from a very educational tassel twirling discussion on the Ministry of Burlesque board. You should go read.

Note: I’m assuming it’s from the 80′s, based on the overall look of the video. Who knows?

Came across this movie review in my GoogleReader:

It’s an article about a 1977 Philippine movie, “Burlesk Queen” (by Jessica Zafra).

WOW! What a find! As a Filipino and a burlesque performer, you know I’m all about this. I always get excited to find connections between my roots, so to speak, and my current loves in life. First of all, as a child I was definitely a fan of Vilma, so I’m excited to rediscover this little part of myself. I am especially happy to find out that this was a true cinematic drama (having won 10 awards at the Metro Manila Film Festival when it premiered in ’77), and not just a novelty piece about life as a striptease dancer. I was also happy to see (via the clips) that it seemed to incorporate some classic burlesque costuming and movements.

From the article:

“Burlesque” is “a theatrical entertainment of a broadly humorous, often earthy character consisting of short turns, comic skits, and striptease acts.” It’s been around since Aristophanes wrote his comedies thousands of years ago. In Tagalog, “pagbuburles” meant “to take one’s clothes off in public.” It was something to be shunned by respectable people. Apart from its subject matter, the film was controversial because it starred superstar and former teen idol Vilma Santos, it was directed by Celso Ad Castillo, self-proclaimed messiah of Filipino cinema, and it contained a truly shocking dance sequence.

Burlesk Queen climaxes with Vilma bumping and grinding in front of a wildly cheering audience; her gyrations cause her to have a miscarriage. Lurid, yes, and not likely to be forgotten.

…
The story is a familiar one: a young woman with an invalid father to support sells her body in order to live. Not on the streets, but on the stage of a burlesque theatre. Vilma plays Chato the dancer with a mixture of innocence and strength—the sleaze of her surroundings cannot break her. Leopoldo Salcedo plays the proud old man who is dying of shame—his presence links Burlesk Queen to the “Golden Age” of Philippine cinema and makes the movie’s thesis more poignant. Joonee Gamboa is the theatre owner who makes long speeches about burlesque being an art for the masses and a vehicle to elevate them intellectually. He comes off as slightly loony, but who says art is “normal”?

The theater is condemned by politicians who preach morality. In the movie, the battle between art and politics is fought right at the old man’s window. From the window, we see a politician delivering a campaign speech, vowing to clean up the city. The old man sits at the window, watching the rally, while the theatre owner tries to persuade him to let his daughter dance. Downstairs, the daughter flirts with the politician’s son.

There is so much happening in every frame of Castillo’s movie: it is literally pulsing with life. While the former star dancer played by Rosemarie Gil rages drunkenly onstage, a woman in the audience slaps the man sitting next to her. Backstage a boy gropes his girlfriend, onstage a performer pounds a very long nail into his nostril, and on the soundtrack a singer declares he will do anything for love. It is as if every character onscreen were starring in their own movie, and the story unfolding before us is merely a slice of all this vivid life.

When the theater is ordered closed, the owner declares that their last show will be something to remember. He does not exaggerate. The scenes leading up to the climactic dance—the montages of the singers, dancers, and comedians—evoke a bittersweet longing for an era that had vanished.

We have been fooled. This movie is not about a young woman taking her clothes off. It’s about life, art, and the dark, unexpected places where they sometimes meet.

You can see a few clips of the movie from this “Top 10″ show (watch the first 4 minutes):

You can buy a copy of the movie on VCD from KabayanCentral.com or eBay. (You can also search Google for, erm, torrent versions with English subtitles.)

You can bet your ass I’m getting myself a copy. Movie night, anyone?

(Link via Sparkly Devil.)

For some yummy vintage eye candy, check out some old school LIFE Magazine photos, now hosted on Google. Keywords “stripper”, “burlesque”, and “vaudeville” will result in images like this:

Stripper Divena performing her act inside a plexiglas tank filled with water at Casino Royale Club.
Location: New Orleans, LA, US
Date taken: 1949
Photographer: Loomis Dean

Oh my nelly!

I’ve a brand spanking new burlesque crush.

I love this woman! She is SO rock n’ roll!

Part 1
Popout

Part 2
Popout

Burlesque Bears! Simply adorable.

Lana won’t talk about her past. She founded the Burlesque Bears and leaves it at that. Lana is pictured in her trademark pink beaded fringe. She does a mean fan dance to “The Stripper” by David Rose and his Orchestra.

Purchase your very own at the Burlesque Bears website.

***

And here’s a playful new (to me) twist on the ol’ burlesque balloon act:
Popout
The “new to me” part starts at about 3:45.
Link: Katie Balloons